Nearly 35 years of dancing and creating dance art installations yielded many dance-themed paintings. When immersed in Improvisation sessions, I connect with collaborators-dancers, and when taking a rest, I observe the joyful experience and make sketches of fellow dancers. This inside-out and outside-in approach captures the dynamic of intensity and relaxation in dancing bodies. The bodies are depicted using unstable, abstract forms and dynamic, expressive colors, thereby instilling a feeling of movement or movement potential, as the bodies playfully appear and disappear on the canvas. I am also drawn to the social and collaborative aspect of dance. As a painter, I spend a great deal of time alone, and this energy of collaboration and socializing gives me a sense of connection to the universe and something larger than myself. Because the collective group energy draws me to this subject, I do not paint individual faces or details on the dancers. The abstract energy and combination of colors produce the emotional meaning of the work.
In the Ballerina series, I am exploring the relationship between dance as a spiritual practice and dance as a sexually charged act. I am juxtaposing the ethereal with the ephemeral, in other words, I strive to show the Ballet dancer as half-God half-animal. I want the viewer to see how while the dancer appears to have a transcendent experience, the dancer is also concealing sexual desire.