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XYLOGRAPHY
I’ve recently returned to the technique of xylography with renewed focus, bringing decades of experience in painting, sculpture, and performance into this deeply physical and meditative process. Working with woodcut allows me to explore the rawness of line, the rhythm of repetition, and the tactile relationship between surface and image.
Xylography is one of the earliest methods for sharing images and stories, and I’m drawn to its enduring power. Each print is shaped by endurance, intuition, and the dialogue between tool and material—anchoring my work in both ancient tradition and the present moment.

Process

Selected Xylographies of 1980-94

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